Do Patti, written by Kanika Dhillon and directed by Shashanka Chaturvedi, can be seen on Netflix. In the film, television star Shaheer Sheikh makes his big-screen debut, Kajol plays a police officer, and Kriti Sanon plays two roles for the first time.
The story serves as a warning about falling for the wrong kind of person. The film’s message is that women should use all their resources to fight back against violent relationships that they have suffered for ages.
Do Patti’s plot
The narrative centres on the long-running rivalry between twin sisters Soumya and Shaili (both played by Kriti Sanon). They were left orphans when they were little and eventually fell in love with the same man, Dhruv Sood (Shaheer Sheikh).
When one of them marries Dhruv, the other becomes enraged and seeks revenge. While Vidya the lawyer (Kajol) controls the drama in the courtroom, Inspector Vidya (Kajol) must investigate a mystery that arises from a series of incidents, including an accident and a murder attempt. Who is the real criminal, and how does the plot deal with topics like domestic violence? You’ll have to watch it on Netflix to find out.
What does work for the movie Do Patti?
It moves at a perfect speed, particularly in the first hour. To put it simply, Kanika’s screenplay keeps you interested by introducing you to new ideas quickly. The plot keeps moving forward as you take in everything, including the sibling rivalry and the growing mystery.
There are multiple levels to the film, which is Kriti Sanon’s first production, and each one is handled with the most care. The story is heavily replete with themes of violence, treachery, and envy. In Do Patti, the story of identical twin sisters Saumya and Shailee, their romantic interest Varun Sood, and investigating officer Vidya Jyoti is set in the greyish fictional Devipur hill station.
What didn’t work for the movie Do Patti?
Although the concept is exciting, the movie lacks execution. The screenplay has a good beginning but fails because of unresolved subplots and unanswered questions. Who provides Shailey with financial support while she is staying in a hostel, for example? Why is the relationship between Saumya and Dhruv left undeveloped? The story’s overall coherence suffers because of these narrative gaps, which leave viewers seeking more clarification.
The film’s inconsistent tone is the problem. It’s a romantic thriller, right? A psychological drama? Or an analysis of domestic abuse? The desired impact is diminished by the clash of the multiple identities. Even though the thriller components are occasionally captivating, they fall short because of these narrative irregularities.
“Kuch nahi High Court jaayenge, dekh lenge inn auraton ko”—How can a male lawyer say this in front of a female judge in a courtroom? Everything about Amma’s foolish actions, Saumya’s vulnerable woman attitude, and Shailee’s sexual approaches is described so clumsily. There must be a greater likelihood and dependability of the happenings, even if you are replicating stories from pulpy magazines that were sold at the train station long ago. This movie simply lacks it in its composition; instead, it ruins the entire concept with these flimsy devices.
Writing and direction
The main flaw of Kanika Dhillon’s writing is that it lacks the impact necessary to compete with the vast array of compelling material that is currently accessible. ‘Do Patti’ feels a few steps behind since OTT content now competes not only with Bollywood but also with South Indian and foreign films. Although Shashanka Chaturvedi’s direction is capable, he finds it difficult to get over the story’s shortcomings. Strong content is at the core of today’s OTT world; thus, Kriti Sanon, who also produced the movie, could think about concentrating more on the script for upcoming ventures.
Performance
Nevertheless, Kriti Sanon makes Do Patti work well despite the problematic climax. As soon as you click with both of her characters, you will fall in love with them and most likely know the plot. Nevertheless, you continue to support her while admiring her on-screen prowess. She gives each character every little detail. Because you know you are betting on the wrong card, you detest the good one just as much as you detest the evil one!
Unfortunately, Kajol feels underutilised in her role as Inspector Vidya Jyothi. Kajol’s role lacks the seriousness she deserves since, in spite of her natural on-screen presence, she is limited to saying stereotypical Haryanvi one-liners. Her role is further diminished by the forced nature of her character’s shift from police officer to attorney. Sadly, if Kajol’s character had been given greater depth, she could have contributed much more to the movie.
Tanvi Azmi, Vivek Mushran, and Brijendra Kala simply exist for no apparent purpose!
In his film debut, Shaheer Sheikh plays Dhruv Sood and does a good job. His portrayal of Dhruv’s endearing yet imperfect attitude gives the character a multi-layered richness. Sheikh does a good job of humanising his character, despite the fact that he is an abuser with a short fuse. He and Kriti clearly click, which gives the romance storyline more nuance. Like the movie itself, Dhruv’s character, however, is underdeveloped and lacks a complete backstory, which leaves promise unrealised.
Should you watch it?
While Do Patti is a film full of promise, its presentation is confusing. Amidst the complex blend of romance, drama, and thriller aspects, the film’s intended dramatic message concerning domestic violence is overshadowed. Certainly Kriti Sanon’s outstanding performance and Shaheer Sheikh’s excellent debut are the film’s redeeming graces. But in a position that should have been far more significant, Kajol is squandered. Even if it is entertaining at times, “Do Patti” is ultimately a respectable, watchable thriller that leaves you wanting more. If you have nothing better to do, you can watch it once.
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